'Editorial Note', pp. 7 - 12

Charles H. Shannon, 'The Stone Path', illustration, pp. 13 - 14

Hubert Crackanthorpe, 'Anthony Garstin’s Courtship', story, pp. 15 - 39

Ernest Dowson, 'Breton Afternoon', poem, p. 40

W. B. Yeats, 'William Blake and His Illustrations to The Divine Comedy: I. His Opinions upon Art', essay, pp. 41 - 57

William Blake, 'The Passing of Dante and Virgil Through the Portico of Hell', illustration, p. 43

        "         , 'Francesca and Paolo', illustration, p. 47

        "         , 'Angry Spirits Fighting in the Waters of the Styx', illustration, p. 51

        "         , 'Antaeus Setting Virgil and Dante Upon the verge of Cocytus', illustration, p. 55

Arthur Symons, 'In Carnival', poem, p. 58

Roman Mathieu-Wierzbinski, 'The Clown', story, pp. 59 - 64

Max Beerbohm, 'Caricature of Arthur Roberts', illustration, pp. 65 - 66

W. B. Yeats, 'O’Sullivan Rua to Mary Lavell', poem, p. 67

Havelock Ellis, 'Friedrich Nietzsche – II', essay, pp. 68 - 81

Antonio Ferreira, Edgar Prestage (translator), 'From the “Ignez de Castro”', poetry, pp. 82 - 85 [translated by]

'Bertha at the Fair', prose, pp. 86 - 89

Aubrey Beardsley, 'The Coiffing', illustration, p. 90

        "         , 'The Ballad of a Barber', poem, pp. 91 - 92

        "         , 'A Cul-de-Lampe', illustration, p. 93

Edward Carpenter, 'The Simplification of Life', essay, pp. 94 - 97

Stéphane Mallarmé, George Moore (translator), 'The Future Phenomenon', prose poem, pp. 98 - 99 [translated by]

Arthur Symons, 'A Literary Causerie: - On Some Novels, Chiefly French', essay, pp. 100 - 102

'Note', p. 103